My work is a mirror, which narrates personal story while breaking constructs of traditional mediums. Finding and building relations between the individual and artwork is a driving force when creating. I constantly search for unconscious forms when interpreting my surroundings. Abstract forms are born from reinterpreting realistic ones and with ambiguity they tell universal stories, which are dependent on one’s personal narrative. With spontaneity and dynamism, the forms range from dream-like to erotic shapes and give the individual the power and the freedom, to create a personal experience through associations and fantasies. They are often delivered from interpreting human figure.
I tend to question and challenge printmaking and ceramics as mediums. I am intrigued by finding uniqueness in processes that are traditionally used to create multiples. When breaking the rules of the used medium, I try to turn objects into artefacts and reactivate the mediums characteristics. When using the potter’s wheel in ceramics, I alter these forms and break their functionality to reinterpret them into a sculpture. In printmaking, I focus on creating monoprints by combining different matrixes as well as changing the color and paper, creating individually unique prints. With installing the pieces, the viewer is challenged to physically interact with the whole space.

Take a look at the series 'Beginnings'
Take a look at the series ‘Consequences'
Read about Kristina's solo show inspired by Darwin's innovative book, 'On the Origin of Species'
Medfazen
ceramics
Untitled (What remais, detail)
ceramics
Med-fazen
Ceramics
Alma mater
Ceramics
On the Origin of Species, Room IV. Detail IV.
Ceramics, sand
On the Origin of Species, Room IV. Detail III.
Ceramics, sand
On the Origin of Species, Room IV. Detail I.
Ceramics, sand
On the Origin of Species, Room IV.
Ceramics, sand
On the Origin of Species, Room III., Detail I.
Ceramics, sand, textile
On the Origin of Species, Room III.
Ceramics, sand, textile, sound
On the Origin of Species, Room II.
Ceramics, sand, textile, sound
On the Origin of Species, Room II., Detail II.
Ceramics, sand, textile, sound
On the Origin of Species, Room II.
Ceramics, sand, textile, sound
On the Origin of Species, Room I., detail II.
Ceramics, textile, sand, sound
On the Origin of Species, Room I., detail I.
Ceramics
On the origin of species, room I.
Ceramics, sand, textile, sound
Autoportrait
Ceramics
Consequences XVI.
serigraphy
Consequences VIII.
serigraphy
Consequences VI.
serigraphy
Consequences II.
serigraphy
Consequences I.
serigraphy
Beginning X.
collage, serigraphy
Beginning II.
collage, serigraphy
Beginning VIII.
collge, serigraphy
Beginning IV.
collage, serigraphy
Beginning VII.
collage, serigraphy
Beginning I.
collage, serigraphy
Migration I.
serigraph
Migration II.
serigraph
Composition No. 53
wheelthrown stoneware
Invading the Space detail 3
Ceramics, woodfired stoneware
Invading the Space detail 2
Ceramics, woodfired stoneware
Invading the Space detail
Ceramics, woodfired stoneware
Invading the Space
Ceramics, woodfired stoneware
Untitled
ceramics, wheelthrown stoneware
Coral 2
Titanium
Unnamed
Titanium
Hamurabi’s code
Titanium
Coral 1
Titanium
Appearance
etching
Objects, composition
ceramics, wheelthrown stoneware, pitfiering
Objects, compostition
ceramics, wheelthrown stoneware, pitfiering
Object no.4
ceramics, wheelthrown stoneware, pitfiering
Object no.3
ceramics, wheelthrown stoneware, pitfiering
Object no.2
ceramics, wheelthrown stoneware, pitfiering
Object no.1
ceramics
Hipermnetik
intaglio
Eulogia
intaglio
Eklektik
intaglio
B.Mori
Intaglio
Relation I4
wheelthrown stoneware
Couple
wheelthrown stoneware
Relation I2
wheelthrown stoneware
Relation III.
ceramics
King
ceramics
Queen
ceramics